Snow Palms Intervals social club 4 Would Not Come

4 Would Not Come

ending with a bouncy but eventual whirling dervish coda

but together the clear

It's a stance the band has assumed unflinchingly on subsequent albums like 2010's Come Around Sundown and 2013's Mechanical Bull

Simon Francis remastered the original audio for this release and Cicely Balston’s precise cut for Alchemy at AIR Studios ensures this 2×12″ well and truly pumps

Snow Palms Intervals social club 4 Would Not ComeSnow Palms was initially conceived by composer David Sheppard (State River Widening, Ellis Island Sound, Phelan Sheppard, etc) as a vehicle for instrumental pieces based around xylophones, glockenspiels, vibraphones, metallophones and other mallet instruments. Sheppard hooked up with producer arranger Chris Leary (Ochre) to sort the wheat from the chaff, adding layers of chamber orchestration and discrete electronic textures to many of the intricate,